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When you watch a movie, they come expecting something zany, something that’s kaleidoscopic, and Tom and everybody involved in the film, they deliver.Fairly quickly, you sense something crucial is missing from this hyperactive sequel to 2017’s equally frantic The Boss Baby, the sine qua non that elevated the original animated movie (for all its faults) above the other noisy kid flicks of the day. You can’t make a better movie just by huffing and puffing and doing the voice acting. The voice acting is just something that you marry to what’s on screen.
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They want imagination, especially on the visual level. What do you think viewers will enjoy most about the film? But when the movie is all put together, there is really nothing like it. It’s a lot of work, it takes a lot of energy. They need you to have your head pop off, and everything is very whatever – you’re very sad, you’re very agitated, you’re very happy, you’re very crazy.
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What’s illegal in acting is required in the world of animation. What drew you to being a part of the sequel?Īmy and I have something in common, which is that we like the challenge. This movie is perfect, that’s what I’m saying. I’m prouder of this movie than pretty much all of the other movies I’ve ever made because it just came out so well. I would get a tear in my eye and think to myself, “God, this is so well done.” They would want to watch it and that beautiful title sequence would come on. Well, I worked on the first one and my kids really loved the film. How do you feel about stepping back into the boss baby role? But you have to be able to come back to what the show is about, which is how this family wants to work out their problems and just love each other. You have to have people who can bring the sweet and the sour, who can do the funny and sometimes be a little brittle. In any story like this, which surrounds the challenges faced by a family in a crazy environment – in the crazy environment created by an animated feature – you’re still telling the story of something that happens to a family. We’ve had people that were really wonderful and brought a lot of heart to the parts they have to play. You have to have people who have the timing and who find the character and their vulnerability. What’s key is having people who have that knack for voice acting. Can you talk about how, along with the comedy, there’s a lot of heartfelt stuff in the movie regarding families coming together? You have to have people who can do the voice acting thing, because there’s acting and there’s animated acting, which is very different, so we’re very lucky to have Jeff in the movie. He’s a wonderful actor and one of those people who you recognise right away in the role. He is somebody whose career I love because he’s done so many different things. You also have an amazing rival in Jeff Goldblum’s character. But they’ve all got to come back to reality eventually. I think it’s safe to say that Ted could have been very happy staying in that world and partnering with Tina. When Ted goes back to become Boss Baby again, he meets and works with Tina, who is played by Amy Sedaris. Whenever I do these movies, I get excited when they get people who have that great voice-acting ability, and Amy’s so fantastic. What’s the deal with the new Boss Baby Tina? So, this movie, among other things, is about how we bring Ted and Tim back together again. He has grown apart from his brother Tim because he’s a very serious businessman now, he’s making a lot of money and he’s very successful.
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We have a very unique-looking, pumped-up, adult Ted. Amy Sedaris (left) and Alec Baldwin in The Boss Baby 2: Family Business UIP Tell us a little about The Boss Baby 2.